Tuesday, June 29, 2010
Monday, June 28, 2010
Mop Bucket
Saturday, June 26, 2010
Scented Geranium
Wednesday, June 23, 2010
Sunday, June 20, 2010
Underneath The Fig Tree
Wednesday, June 16, 2010
Raspberry Canes
Raspberry Canes
Pure Watercolour
55 cm x 40 cm or 21.7 inches x 15.7 inches
I love the light just clipping the little bits of string and chicken wire, bouncing off a few leaves and the general jungly jumble. I can just imagine ferriting around in this lot finding juicy ripe raspberries and eating them, still warm from the sun. A summer feast, alone with just the buzzing insects and far away, perhaps, the sound of grass being cut, or maybe kids playing... but very far away!
Pure Watercolour
55 cm x 40 cm or 21.7 inches x 15.7 inches
I love the light just clipping the little bits of string and chicken wire, bouncing off a few leaves and the general jungly jumble. I can just imagine ferriting around in this lot finding juicy ripe raspberries and eating them, still warm from the sun. A summer feast, alone with just the buzzing insects and far away, perhaps, the sound of grass being cut, or maybe kids playing... but very far away!
Monday, June 14, 2010
London Garden
London Garden
Pure Watercolour
81cm x 100cm or 32 inches x 40 inches.
It is a summer morning in this oasis of green calm. A bubble of peace in a noisy world. This garden holds, like many others, a jumble of plants. Some carefully chosen after a visit to a garden center, some left overs from a previous gardener. Others creeping in, borne on the wind, growing quietly, unnoticed, lifting heavy paving with tender green shoots, softening the hard edges. People need gardens, parks, a pot with a plant, they need green, to soothe and calm, to marinate the soul and to breathe out. This is the house where I stay when I visit London and after a day scuttling around on hot pavements, through crowds of people this is perfect to come back to. It is a retreat.
Another large watercolour, I shall live with it on the easel for a while, until I am sure it is really finished... I think it is but you never know!
Pure Watercolour
81cm x 100cm or 32 inches x 40 inches.
It is a summer morning in this oasis of green calm. A bubble of peace in a noisy world. This garden holds, like many others, a jumble of plants. Some carefully chosen after a visit to a garden center, some left overs from a previous gardener. Others creeping in, borne on the wind, growing quietly, unnoticed, lifting heavy paving with tender green shoots, softening the hard edges. People need gardens, parks, a pot with a plant, they need green, to soothe and calm, to marinate the soul and to breathe out. This is the house where I stay when I visit London and after a day scuttling around on hot pavements, through crowds of people this is perfect to come back to. It is a retreat.
Another large watercolour, I shall live with it on the easel for a while, until I am sure it is really finished... I think it is but you never know!
Wednesday, June 02, 2010
A Set of Paintings
This is the little collection of paintings for the gallery's 2010 Summer Exhibition.
I like to try and make a kind of story for the paintings and this year they are all about a walk to the sea, the sort of thing that I do all the time I know, but, it is also the sort of thing that a lot of people enjoy when they come here on holiday. Anyway I think they "hang" together quite well, in other words they have a narrative for me. I think it is very interesting to put a set of paintings together like this. Firstly it gives a very good sense of scale, it lets me know, as the artist, whether they work well together, if they have that narrative quality. It shows me what my colours are right now (it's not just green, it is the type of green, which side of green I am leaning towards!) The other thing that it does is highlight what it is that catches my attention, knowing that, or rather being conscious of that can really help you to "see" potential paintings.
And last but not least it gives me a little time to enjoy my work, after all this might be the last time I ever see them, (sadly but hopefully!)
I like to try and make a kind of story for the paintings and this year they are all about a walk to the sea, the sort of thing that I do all the time I know, but, it is also the sort of thing that a lot of people enjoy when they come here on holiday. Anyway I think they "hang" together quite well, in other words they have a narrative for me. I think it is very interesting to put a set of paintings together like this. Firstly it gives a very good sense of scale, it lets me know, as the artist, whether they work well together, if they have that narrative quality. It shows me what my colours are right now (it's not just green, it is the type of green, which side of green I am leaning towards!) The other thing that it does is highlight what it is that catches my attention, knowing that, or rather being conscious of that can really help you to "see" potential paintings.
And last but not least it gives me a little time to enjoy my work, after all this might be the last time I ever see them, (sadly but hopefully!)
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